Showing posts with label Shelley. Show all posts
Showing posts with label Shelley. Show all posts

Saturday, 17 August 2013

On Love by Percy Bysshe Shelley




A marvellous fragment from Shelley. My comments on it can probably be inferred merely by my recommendation. He wrote many brilliant, intense pieces like this. A Defence of Poetry contains some of my favourite descriptions of the role of poets, but that is far too long to put here. This piece, though, burgeons and swells and reaches an almost ungovernable level of lyricism.


'What is Love? Ask him who lives what is life; ask him who adores what is God.

I know not the internal constitution of other men, nor even of thine whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common and unburthen my inmost soul to them, I have found my language misunderstood, like one in a distant and savage land. The more opportunities they have afforded me for experience, the wider has appeared the interval between us, and to a greater distance have the points of sympathy been withdrawn. With a spirit ill-fitted to sustain such proof, trembling and feeble through its tenderness, I have everywhere sought, and have found only repulse and disappointment.

Thou demandest what is Love. It is that powerful attraction towards all we conceive, or fear, or hope beyond ourselves, when we find within our own thoughts the chasm of an insufficient void, and seek to awaken in all things that are, a community with what we experience within ourselves. If we reason we would be understood; if we imagine we would that the airy children of our brain were born anew within another's; if we feel we would that another's nerves should vibrate to our own, that the beams of their eyes should kindle at once and mix and melt into our own; that lips of motionless ice should not reply to lips quivering and burning with the heart's best blood:--this is Love. This is the bond and the sanction which connects not only man with man, but with every thing which exists. We are born into the world, and there is something within us, which from the instant that we live, more and more thirsts after its likeness. It is probably in correspondence with this law that the infant drains milk from the bosom of its mother; this propensity develops itself with the development of our nature. We dimly see within our intellectual nature, a miniature as it were of our entire self, yet deprived of all that we condemn or despise, the ideal prototype of every thing excellent and lovely that we are capable of conceiving as belonging to the nature of man. Not only the portrait of our external being, but an assemblage of the minutest particles of which our nature is composed*: a mirror whose surface reflects only the forms of purity and brightness: a soul within our own soul that describes a circle around its proper Paradise, which pain and sorrow and evil dare not overleap. To this we eagerly refer all sensations, thirsting that they should resemble and correspond with it. The discovery of its antitype; the meeting with an understanding capaple of clearly estimating our own; an imagination which should enter into and seize upon the subtle and delicatce peculiarities which we have delighted to cherish and unfold in secret, with a frame, whose nerves, like the chords of two exquisite lyres, strung to the accompaniment of one delightful voice, vibrate with the vibrations of our own; and a combination of all these in such proportion as the type within demands: this is the invisible and unattainable point to which Love tends; and to attain which, it urges forth the powers of man to arrest the faintest shadow of that, without the possession of which, there is no rest nor respite to the heart over which it rules. Hence in solitude, or that deserted state when we are surrounded by human beings and yet they sympathize not with us, we love the flowers, the grass, the waters, and the sky. In the motion of the very leaves of spring, in the blue air, there is then found a secret correspondence with our heart. There is eloquence in the tongueless wind, and a melody in the flowing brooks and the rustling of the reeds beside them, which by their inconceivable relation to something within the soul awaken the spirits to dance of breathless rapture, and bring tears of mysterious tenderness to the eyes, like the enthusiasm of patriotic success, or the voice of one beloved singing to you alone. Sterne says that if he were in a desert he would love some cypress. So soon as this want or power is dead, man becomes a living sepulchre of himself, and what yet survives is the mere husk of what once he was.

* These words are ineffectual and metaphorical. Most words are so,--no help!'

Saturday, 25 May 2013

On Death by Percy Bysshe Shelley

There is no work, nor device, nor knowledge, nor wisdom, in the grave, whither thou goest. -- Ecclesiastes.


The pale, the cold, and the moony smile
Which the meteor beam of a starless night
Sheds on a lonely and sea-girt isle,
Ere the dawning of morn's undoubted light,
Is the flame of life so fickle and wan
That flits round our steps till their strength is gone.

O man! hold thee on in courage of soul
Through the stormy shades of thy worldly way,
And the billows of cloud that around thee roll
Shall sleep in the light of a wondrous day,
Where Hell and Heaven shall leave thee free
To the universe of destiny.

This world is the nurse of all we know,
This world is the mother of all we feel,
And the coming of death is a fearful blow
To a brain unencompassed with nerves of steel;
When all that we know, or feel, or see,
Shall pass like an unreal mystery.

The secret things of the grave are there,
Where all but this frame must surely be,
Though the fine-wrought eye and the wondrous ear
No longer will live to hear or to see
All that is great and all that is strange
In the boundless realm of unending change.

Who telleth a tale of unspeaking death?
Who lifteth the veil of what is to come?
Who painteth the shadows that are beneath
The wide-winding caves of the peopled tomb?
Or uniteth the hopes of what shall be
With the fears and the love for that which we see?



Shelley is perhaps the most unconventional, experimental poet I enjoy reading. He often toys with rhythm and meter, not disregarding it exactly but not holding to it punctiliously either. I don't normally enjoy this in poets but the quality of the writing more than redeems it. 

I'm not sure what to say about this poem in particular. There is so much to digest that it would probably take me 3000 words to analyse it properly. First I suppose I could say that it perfectly captures the incomprehensibility of death. It is not something we have been afforded the mental equipment to empathise with. Nor, often, do we have the fortitude to accept death. We are 'unencompassed with nerves of steel'. This is exacerbated by the fact that we have no higher authority to whom we might refer on the matter - those who have experienced death are necessarily unavailable for congress. This is, naturally, where religion spotted a niche in the market. Post-death vaticinations seem to be their USP.

Poetry is usually about love or death. Both incomprehensible, both pointless to challenge or assay; these facts make the endeavour quite enjoyable. It's also interesting that both were experienced prematurely and disproportionately by the Romantic poets (of course one's own death is not bettered by repetition, but the Romantics seemed rather unfortunate with regards to early bereavement).

Quite enough inane gibbering from me. Termination of blog post imminent - avaunt!